The landscape of the South Korean entertainment industry continues to undergo a significant transformation as SM Entertainment, one of the nation’s "Big Three" talent agencies, confirmed the departure of solo artist and former NCT member Lucas. This announcement, made on April 24, 2026, marks the end of an era for the performer and adds to a growing list of high-profile departures from the agency. Following the recent exits of NCT stalwarts Ten and Mark Lee, the conclusion of Lucas’s exclusive contract signals a pivotal shift in the agency’s roster management and the career trajectories of its long-standing talent.
Official Announcement and Contract Termination
In a formal statement released through its official communication channels, SM Entertainment addressed the artist’s future, confirming that the legal and professional relationship between the agency and Lucas had reached its conclusion. The statement, characterized by a tone of professional gratitude, highlighted the duration of Lucas’s tenure, which spanned from his years as a trainee to his global activities as a member of various sub-units and his eventual solo debut.
"We hereby inform you that the exclusive contract with LUCAS has concluded as of April 24th," the agency stated. "We will cherish every moment shared, from the early trainee days to the various activities LUCAS took part in after his debut, and continue to support him as he begins this new chapter."
The agency further requested that the public and the fandom provide continued encouragement for the artist as he navigates the next phase of his career. This departure appears to be an amicable separation, consistent with the agency’s recent trend of allowing veteran artists to seek new opportunities upon the expiration of their multi-year agreements.
The Career of Lucas: A Chronology of Global Stardom
Lucas, born Wong Yuk-hei in Hong Kong, first gained public attention when he was introduced as a member of SM Rookies, the agency’s pre-debut training team, in April 2017. His rapid ascent within the company was a testament to his charisma and visual appeal, qualities that SM Entertainment utilized to spearhead its international expansion efforts.
The Rise of NCT and WayV
In 2018, Lucas officially debuted as a member of NCT, participating in the ambitious "NCT 2018 Empathy" project. He gained immediate popularity through the hit single "Boss," where his deep vocal tone and stage presence were showcased. By early 2019, he was selected as a core member of WayV, the China-based sub-unit of NCT. WayV was a strategic move by SM Entertainment to penetrate the Mandopop market, and Lucas served as one of the group’s most recognizable faces, appearing in numerous Chinese variety shows and high-fashion campaigns.

SuperM and Global Outreach
The peak of Lucas’s collaborative career arrived in late 2019 when he was chosen to join SuperM, a "K-pop supergroup" formed in partnership with Capitol Music Group. Alongside members of SHINee, EXO, and other NCT units, Lucas performed on global stages, including a debut performance at the Capitol Records Building in Los Angeles and a subsequent world tour. This period solidified his status as a global idol, bridging the gap between the Asian and Western music markets.
Controversy, Hiatus, and Solo Re-emergence
The trajectory of his career faced a significant interruption in August 2021, following personal life controversies that led to an indefinite hiatus. During this period, Lucas remained largely out of the public eye while the agency navigated the fallout and internal restructuring. In May 2023, SM Entertainment officially announced that Lucas would be withdrawing from NCT and WayV to focus on solo endeavors.
His return to the music scene occurred in April 2024 with the release of his first single album, Renegade. The solo debut was viewed as a litmus test for his enduring popularity and the agency’s ability to manage solo artists outside of a group framework. While the debut garnered significant international attention, the two years following the release saw a shift in the agency’s focus toward newer generations of talent, eventually leading to the contract conclusion in 2026.
Contextualizing the Departure: The SM 3.0 Era
The exit of Lucas cannot be viewed in isolation. It occurs within the broader context of "SM 3.0," a management strategy implemented by the agency to decentralize production and modernize corporate governance. This new era has seen a departure from the "infinite expansion" model of NCT and a greater emphasis on individual artist autonomy and specialized production centers.
A Pattern of Departures
The news of Lucas’s departure follows the high-profile exits of Ten and Mark Lee. Ten, a versatile performer known for his work in NCT, WayV, and SuperM, and Mark Lee, often described as the "pillar" of NCT due to his involvement in nearly every sub-unit, represented the core identity of the brand. Their departures suggested a fundamental change in how SM Entertainment retains its top-tier talent.
Industry analysts note that as artists reach the end of their initial seven-to-ten-year contracts, many are opting for greater creative control. This trend is not unique to SM Entertainment but is prevalent across the "Big Four" (SM, JYP, YG, and HYBE). Veteran idols are increasingly establishing their own labels or moving to boutique agencies that offer higher profit-sharing ratios and more flexible schedules.
Supporting Data and Market Impact
As of early 2026, SM Entertainment has seen a 15% turnover in its veteran artist roster compared to the previous five-year average. While the agency continues to debut successful new groups like RIIZE and the final NCT unit, NCT WISH, the loss of established names impacts short-term revenue streams from touring and merchandise.

However, SM Entertainment’s stock performance has remained relatively stable, as investors have largely priced in the reality of contract expirations. The agency’s pivot toward virtual idols, AI integration, and the expansion of its "SM Culture Universe" (SMCU) is designed to mitigate the financial impact of losing individual human performers.
Implications for the NCT Brand
The departure of Lucas, Ten, and Mark Lee raises questions about the future of the NCT brand. Originally designed as a group with "unlimited" members and localized units, the system relied on a rotating cast of performers. With several of its most influential members now pursuing independent paths, the agency faces the challenge of maintaining the brand’s cohesion.
- Unit Stability: WayV, in particular, has had to navigate the loss of its most popular members. The remaining members have focused on solo activities and smaller-scale fan meetings, indicating a shift away from the large-ensemble promotions of the early 2020s.
- Legacy Management: SM Entertainment continues to hold the intellectual property rights to the music and content produced during Lucas’s tenure. The agency’s statement that they will "cherish every moment" suggests that his past work will remain a permanent part of the NCT archive, even as the artist moves forward.
Public and Industry Reaction
The reaction to Lucas’s departure has been multifaceted. Among the global fandom, "LUMIs" (Lucas’s individual fans) have expressed support for his new journey, with many anticipating the announcement of a new agency or an independent label. Conversely, some segments of the K-pop community view his departure as a natural conclusion to a turbulent period in the agency’s history.
Industry insiders suggest that Lucas may look toward the Chinese market for his next move, where his initial popularity was strongest. Given his experience in high fashion and variety television, a transition into full-time acting or modeling is also considered a viable path.
The Future of SM Entertainment’s Talent Strategy
As SM Entertainment moves further into 2026, its talent strategy appears to be focusing on "efficiency over scale." The agency is prioritizing the development of younger artists while allowing senior idols to transition into "legacy" roles or exit the company entirely. This approach reduces the overhead costs associated with managing veteran stars who require more complex contract terms.
The departure of Lucas marks the end of a specific chapter in the history of SM Entertainment’s global expansion. From his debut as a "visual powerhouse" to his final days as a solo artist under the label, Lucas’s journey reflects the volatility and rapid evolution of the modern idol system.
In conclusion, the conclusion of Lucas’s contract is more than just an administrative update; it is a signal of the changing tides within the K-pop industry. As artists gain more leverage and agencies shift their business models, the traditional "cradle-to-grave" career path within a single agency is becoming a relic of the past. For Lucas, the "new chapter" mentioned by SM Entertainment represents an opportunity to redefine his identity outside the rigorous structure of the idol system, while for SM, it is another step in its ongoing corporate metamorphosis.







