Muhammad Hamdan
More than two decades into his tenure with Porcupine Tree, keyboardist Richard Barbieri has revealed that the band’s highly anticipated return in 2022, marked by the album Closure/Continuation and its subsequent world tour, proved to be one of the most personally rewarding periods of his extensive career in music. In a candid interview with Innerviews, Barbieri elaborated on the profound satisfaction he derived from this resurgence, describing it as a pinnacle moment alongside the recording of the band’s earlier album Quiet Life.
A Resounding Return and Fanatic Enthusiasm
The Closure/Continuation tour represented Porcupine Tree’s first live performances in over a decade, a significant hiatus that amplified the anticipation surrounding their comeback. Barbieri highlighted the electrifying reception from their fanbase, which immediately set an optimistic tone for the entire endeavor. "The moment we did the first show in Toronto, we had a standing ovation before we even played a note," he recalled, underscoring the palpable excitement. "And that set the whole tone for the tour. There was such enthusiasm for the group." This immediate validation from their dedicated following was a powerful indicator of the band’s enduring appeal and the significant pent-up demand for their return.
The success of the reunion was not solely attributed to fan adoration. Barbieri also expressed considerable pride in the quality of the new material, emphasizing that Closure/Continuation stood confidently alongside the band’s established discography. This was a particularly significant achievement considering the fourteen-year gap since their previous studio album, The Incident, released in 2009. "I was also happy that we made a really good album," Barbieri stated. "I was really glad that we got that out there and that it was different." The album’s critical reception further bolstered this sentiment, with many critics praising its ability to blend familiar Porcupine Tree elements with fresh sonic explorations. Closure/Continuation debuted at number 11 on the UK Official Album Chart and reached the top 20 in several other European countries, demonstrating a strong commercial and critical performance for a band returning after a lengthy absence.
Evolving Dynamics and Personal Growth
A key factor contributing to the positive experience, according to Barbieri, was the evolved creative dynamic within the band, particularly the approach of guitarist and vocalist Steven Wilson. Wilson’s highly successful and prolific solo career has seemingly influenced his perspective on leading Porcupine Tree. "His solo career is so developed and so far along the line now that when he comes back to Porcupine Tree, he just says, ‘Let’s write it together. Let’s make all the decisions together,’" Barbieri explained. This shift towards a more collaborative and less dictatorial approach from Wilson has fostered a more harmonious working environment. Barbieri elaborated, "He’s finally reached a point of satisfaction with his own solo career… he can finally find the dividing line there." This suggests a newfound equilibrium where Wilson’s individual artistic pursuits no longer overshadow the collective vision of Porcupine Tree.
Furthermore, Barbieri acknowledged significant improvements in the interpersonal relationships within the band since their pre-hiatus tours. He admitted to personal growth, stating, "I’m a more pleasant person than I was on those last tours." This introspection has led to a rebuilding of trust and camaraderie. "I’ve managed to gain the confidence back from Gavin Harrison and Steven in me as a friend. That’s a really nice feeling." This emotional maturity and strengthened bond undoubtedly contributed to the overall comfort and enjoyment of the reunion period.
The logistics of the tour also played a role in its success. Barbieri noted the band’s ability to maintain individual routines while on the road, which paradoxically enhanced their collective experience. "We didn’t see that much of each other on the tour, but when we did, it was because we wanted to and it was just so nice. It was so comfortable." This approach allowed for a healthy balance between personal space and meaningful interaction. The financial success of the tour was also a significant positive outcome, with Barbieri mentioning, "In the end, we got to do the tour in complete luxury, and we got to make a lot of money as well. Fantastic." The Closure/Continuation tour, which spanned from September 2022 to May 2023, covered over 50 dates across Europe, North America, and South America, grossing an estimated $15 million globally, according to industry reports.
Charting a Course for the Future
Looking ahead, Barbieri confirmed that Porcupine Tree is actively engaged in exploring new musical territory. The band has already convened for several writing sessions, during which members have brought forth and developed fresh ideas. "In terms of recording, we’ve had three or four sessions together where we’ve all brought ideas in and they’ve gone well," he stated. The primary objective of these sessions is to evolve the band’s sound. "We’re trying to find a different sound. We’re trying to make something that is very different." This pursuit of sonic innovation is balanced with a commitment to preserving the band’s core identity. Barbieri articulated this delicate equilibrium: "We also say, ‘How far can we push the limits of the band while still retaining something of the DNA of what it is?’" This approach suggests a desire to innovate without alienating their established fanbase or compromising the fundamental characteristics that define Porcupine Tree.
Despite the productive nature of these writing sessions, the band’s progress has been somewhat tempered by the members’ individual commitments. "There’s something that happens when we get together. And it’s very short and it’s very intense. But it seems to be working," Barbieri commented. "It’s very sporadic at the moment because we’ve all been busy with other things." Steven Wilson, in particular, has been actively promoting his latest solo album, The Future Bites, and embarking on his own tours. Barbieri himself has been focused on promoting his solo material, adding another layer of complexity to coordinating the band’s schedule.
While the prospect of another Porcupine Tree album appears increasingly likely, future touring plans remain more uncertain. "I think we’d all like to make another album," Barbieri expressed. "I don’t know about touring. We’d have to see." The logistical and personal considerations of extensive touring, especially for a band whose members now have established solo careers and potentially different lifestyle priorities, will likely be a significant factor in any future touring decisions.
The timeline for a new studio album is also subject to the band’s concurrent projects. Barbieri estimated that a new release would require at least a year of dedicated work, projecting a potential release date around 2027, contingent on various factors. "You’ve got to think a year ahead at least for an album like this," he explained. "We’re thinking 2027 might be a possibility. We’ll see how it goes, assuming I’m still alive." This cautious but optimistic outlook reflects the band’s renewed creative energy and their deliberate approach to their artistic output, balancing ambition with the realities of their individual careers and the passage of time. The sustained interest in Porcupine Tree, evidenced by the success of their reunion, suggests that any future releases will be met with considerable anticipation from their global following.
