Philadelphia, PA – Tempesta di Mare, the renowned Philadelphia Baroque Orchestra, has officially announced the appointment of Juan Gallastegui as its new Managing Director, a transition set to take effect on May 22, 2026. This strategic leadership change marks a significant moment for the award-winning ensemble as it embarks on its next phase of artistic and organizational development.
Gallastegui brings a wealth of experience in the multifaceted world of orchestral management, encompassing a strong background in artistic operations and a proven track record as a conductor. His most recent role as Executive Director of the Bremerton Symphony Association in Washington saw him spearheading crucial initiatives such as strategic planning, robust fundraising campaigns, and cultivating strong relationships with the board of directors. Originally hailing from Spain, Gallastegui’s academic credentials include a Ph.D. in Music History, providing him with a deep intellectual foundation that complements his practical leadership skills.
"I am excited about the opportunity to support Tempesta di Mare’s continued artistic and organizational growth and to contribute to the ensemble’s next chapter," stated Gallastegui in an official press release, expressing his enthusiasm for joining the distinguished Baroque orchestra. His forward-looking sentiment underscores a commitment to building upon the ensemble’s established successes and charting a course for future innovation and sustainability.
This appointment signifies a pivotal moment of succession for Tempesta di Mare, as Gallastegui will be succeeding Ulrike Shapiro, who is departing after an impressive 20-year tenure. Shapiro’s leadership has been instrumental in transforming the ensemble from its nascent stages as a predominantly volunteer-run initiative into a financially robust and artistically vital institution within the Philadelphia early music landscape. Under her stewardship, Tempesta di Mare has not only achieved financial stability but has also expanded its reach and influence, boasting a current operating budget of approximately $1 million.
A Legacy of Artistic Achievement Under Ulrike Shapiro
Ulrike Shapiro’s two decades at the helm of Tempesta di Mare were marked by a series of ambitious and groundbreaking artistic projects that have significantly enriched the early music repertoire and engaged diverse audiences. Her tenure witnessed the successful execution of landmark festivals and initiatives, solidifying the orchestra’s reputation for scholarly research and virtuosic performance.
A notable achievement was the Telemann 360 Festival in 2017. This ambitious undertaking celebrated the vast and often overlooked oeuvre of Georg Philipp Telemann, one of the most prolific composers of the Baroque era. The festival presented a comprehensive exploration of his symphonies, concertos, chamber music, and vocal works, showcasing the breadth and depth of his compositional genius. By dedicating an entire festival to Telemann, Tempesta di Mare not only highlighted his importance but also provided audiences with an immersive experience of his musical world.
Furthermore, Shapiro’s leadership was crucial in the rediscovery and championing of orchestral works by Johann Friedrich Fasch. This extensive project, spanning from 2008 to 2024, involved meticulous research, scholarly editing, and critically acclaimed performances of Fasch’s symphonies and concertos. Fasch, a contemporary of Bach and Handel, was a highly respected composer in his time, but much of his music fell into obscurity. Tempesta di Mare’s commitment to unearthing and performing these forgotten treasures has been a significant contribution to the revival of Baroque orchestral repertoire, bringing to light music of exceptional quality and historical importance.

More recently, the orchestra launched Hidden Virtuosas in 2023, an ongoing initiative dedicated to uncovering and celebrating the music and untold stories of women performers and composers in Baroque Venice. This project addresses a critical gap in historical narratives, bringing to the forefront the contributions of women who often faced significant societal barriers to recognition and professional advancement. By shedding light on these overlooked figures, Tempesta di Mare is actively contributing to a more inclusive and comprehensive understanding of musical history. The initiative aims to perform, record, and disseminate the works of these talented women, ensuring their legacy is preserved and shared with contemporary audiences.
A Smooth Transition and Future Outlook
The Board of Directors of Tempesta di Mare has expressed profound gratitude for Ulrike Shapiro’s dedicated service and transformative leadership. John Trout, Chair of the Board, remarked, "We are so grateful for the leadership and stewardship Ulrike has provided for Tempesta over these past twenty years." He further elaborated on the collaborative spirit that will guide the orchestra into its next phase: "Together with Artistic Directors Gwyn Roberts and Richard Stone we look forward to Tempesta di Mare’s 25th Anniversary Season and this next chapter." This statement highlights the ongoing collaborative relationship between the board, artistic leadership, and the incoming Managing Director, emphasizing a unified vision for the ensemble’s future.
The appointment of Juan Gallastegui, with his diverse skill set and international perspective, is poised to further enhance Tempesta di Mare’s artistic excellence and expand its reach. His experience in strategic planning and fundraising is particularly relevant as the orchestra navigates the evolving landscape of arts organizations, seeking to secure its long-term financial health and artistic vibrancy. His Ph.D. in Music History suggests a deep appreciation for the repertoire Tempesta di Mare champions and a potential for informed artistic programming and scholarly engagement.
Broader Implications for the Early Music Scene
The leadership transition at Tempesta di Mare is not merely an internal organizational matter; it carries broader implications for the early music community, both in Philadelphia and beyond. The ensemble’s consistent commitment to artistic innovation, scholarly research, and audience engagement has positioned it as a significant cultural force.
Gallastegui’s arrival signals a potential for new strategic directions and expanded programming. His experience with organizations like the Bremerton Symphony Association suggests an understanding of how to balance artistic integrity with operational efficiency and community outreach. This could translate into new performance initiatives, educational programs, or collaborations that further solidify Tempesta di Mare’s position as a leader in the field.
The ongoing success of initiatives like "Hidden Virtuosas" demonstrates Tempesta di Mare’s dedication to addressing contemporary issues of representation and inclusion within the historical context of music. As Gallastegui takes the helm, it will be interesting to observe how these efforts are sustained and potentially expanded, contributing to a more equitable and diverse classical music landscape.
The transition also occurs as Tempesta di Mare approaches its 25th Anniversary Season. This milestone presents a significant opportunity for reflection on past achievements and a robust platform for articulating future aspirations. The collaboration between Gallastegui, Artistic Directors Gwyn Roberts and Richard Stone, and the Board of Directors will be crucial in shaping a celebratory and forward-looking anniversary season that resonates with audiences and stakeholders alike.
The early music field often relies on dedicated leadership and passionate advocacy to thrive. Tempesta di Mare’s consistent ability to attract and retain talented leadership, coupled with its unwavering commitment to artistic excellence, suggests a promising trajectory. The appointment of Juan Gallastegui is a testament to the organization’s forward-thinking approach and its dedication to ensuring its continued legacy of contributing vital and inspiring performances to the world of Baroque music. His tenure is anticipated to usher in a new era of growth, innovation, and continued artistic distinction for this esteemed Philadelphia institution.







