Aveline Kirana
The Opéra Royal de Wallonie-Liège has announced its highly anticipated 2026-27 season, promising a compelling array of operatic productions and a vibrant concert schedule designed to captivate audiences in Liège and beyond. The season, which commences in August 2026 and concludes in June 2027, showcases a deliberate balance of iconic repertoire, contemporary explorations, and showcases for emerging talent, solidifying the opera house’s commitment to artistic excellence and cultural enrichment.
A Season of Operatic Grandeur and Thematic Depth
The opera program for the 2026-27 season is distinguished by its breadth and ambition, featuring a curated selection of works that span different eras and stylistic approaches. The season opens with a powerful rendition of Giuseppe Verdi’s "Macbeth," a dark and psychologically charged masterpiece. Under the baton of Giampaolo Bisanti and with the visionary direction of Stefano Poda, this production promises a compelling exploration of ambition, guilt, and the supernatural. The principal roles will be brought to life by a stellar cast, including Luca Micheletti as Macbeth, Ewa Płonka as Lady Macbeth, Ricardo Fassi as Banquo, and Matteo Desole as Macduff. Performances are scheduled from September 18 to 29, 2026, setting a dramatic tone for the season’s operatic offerings. Verdi’s "Macbeth," with its complex characterizations and dramatic intensity, often serves as a benchmark for operatic performance, and this production is poised to be a significant event in the operatic calendar. The choice to open with such a potent work signals the opera house’s intention to present productions of significant artistic merit and emotional impact.
Following the intensity of Verdi, the season transitions to the charm and wit of French opera with a double bill of Maurice Ravel’s one-act operas: "L’Heure espagnole" and "L’Enfant et les Sortilèges." Conducted by Jean-Yves Ossonce and directed by Jean-Louis Grinda, this pairing offers a delightful contrast, showcasing Ravel’s masterful command of both comedic timing and fantastical storytelling. The ensemble cast includes Vincent Ordonneau, Anne-Catherine Gillet, Pierre Derhet, Ivan Thirion, Patrick Bolleire, Aya Wakizono, Lotte Verstaen, Marie Kalinine, Marlène Assayag, Loïc Félix, Pierre Doyen, Julie Mossay, and Aurore Daubrun. These performances will run from October 29 to November 8, 2026. Ravel’s operas are celebrated for their intricate musical textures and imaginative libretti. "L’Heure espagnole" (The Spanish Hour) is a farcical comedy of errors, while "L’Enfant et les Sortilèges" (The Child and the Spells) is a magical realist journey through a child’s imagination. Presenting them together allows audiences to appreciate the versatility of Ravel’s operatic output and the skill of the creative team in bringing these distinct worlds to life.
A particularly intriguing addition to the season is "Zombie Opera," a contemporary work with music by Andrea Battistoni and direction by Marta Eguilior. Alessandro Cadario will conduct this innovative production, featuring Filipe Manu, Claire de Monteil, Ivan Thirion, Krešimir Špicer, Patrick Bolleire, and Julie Bailly. Scheduled for November 21-26, 2026, this opera represents the Opéra Royal de Wallonie-Liège’s commitment to exploring new narratives and engaging with modern operatic trends. The concept of a "Zombie Opera" suggests a bold and potentially genre-bending artistic statement, offering a unique opportunity to experience opera in a new light. The relatively short run indicates a focus on making a significant impact with a concentrated artistic vision.
The festive period of December 2026 will be graced by Jules Massenet’s "Thaïs." Conducted by Pierre Dumoussaud and directed by Olivier Lepelletier-Leeds, the production boasts a distinguished cast led by Nina Minasyan as Thaïs, Lionel Lhote as Athanaël, and Valentin Thill. Performances are slated for December 17-31, 2026. Massenet’s "Thaïs," known for its exquisite "Méditation" interlude, explores themes of spirituality, temptation, and redemption, offering a rich tapestry of romantic and dramatic expression. The opera’s sensuous score and compelling narrative have secured its place in the repertoire, and this production promises a luxurious and emotionally resonant experience.
The new year begins with a monumental work by Richard Wagner: "Lohengrin." Giampaolo Bisanti returns to conduct this epic opera, with Jean-Claude Berutti at the helm of the staging. Ian Koziara takes on the title role, supported by Olga Maslova, Evgeny Stavinsky, Olafur Sigurdarson, Nino Surguladze, and Franz Xaver Schlecht. This grand production will be presented from January 29 to February 6, 2027. Wagner’s operas are renowned for their scale, philosophical depth, and groundbreaking musical language. "Lohengrin," with its legendary Swan Knight and themes of purity and betrayal, is a cornerstone of the operatic canon, demanding exceptional vocal and dramatic prowess from its interpreters. The commitment to staging such a significant Wagnerian work underscores the opera house’s artistic ambition and its capacity to deliver large-scale productions.
In March 2027, the spotlight turns to Bedřich Smetana’s "Hubička" (The Bartered Bride). Michael Güttler will conduct this charming Czech opera, directed by Éric Chevalier. The cast includes Dmitry Cheblykov, Mihaela Marcu, Aleš Briscein, Jiří Rajniš, Katharine Goeldner, Mark Kurmanbayev, and Lucie Kaňkovská. Performances are scheduled from March 5 to 13, 2027. Smetana’s operas are celebrated for their folk melodies and vibrant characterizations. "The Bartered Bride" is a beloved work, brimming with humor, romance, and national spirit, and its inclusion offers a delightful excursion into the Czech operatic tradition.
The spring season continues with a focus on Italian opera, featuring Gaetano Donizetti’s dramatic masterpiece "Roberto Devereux." Giampaolo Bisanti returns to conduct this bel canto gem, with Jacopo Spirei directing. The formidable cast features Maxim Mironov as Roberto Devereux, Nino Machaidze as Queen Elizabeth I, Vittorio Prato as Lord Cecil, and Karine Deshayes as Sara. Performances will take place from April 11 to 20, 2027. Donizetti’s Tudor trilogy operas are known for their vocal challenges and intense dramatic confrontations, and "Roberto Devereux" is no exception, centering on the tragic fate of Robert Devereux, 2nd Earl of Essex. The opportunity to witness these vocally demanding roles performed by accomplished singers is a significant draw for opera aficionados.
Closing the operatic season is Richard Strauss’s sophisticated comedy "Capriccio." Robert Treviño will conduct this elegant work, staged by Rodula Gaitanou. The impressive cast includes Lianna Haroutounian, Christoph Pohl, Anton Rositskiy, Birger Radde, Dmitry Belosselskiy, Alisa Kolosova, Michael Colvin, Lavinia Bini, and Lorenzo Martelli. Performances are scheduled from May 15 to 25, 2027. Strauss’s "Capriccio," his last opera, is a meta-theatrical exploration of the eternal debate between music and words, set in a charming aristocratic milieu. Its intellectual wit and sublime music make it a fitting and refined conclusion to the opera program.
The season’s operatic journey concludes with Giacomo Puccini’s grand spectacle, "Turandot." Daniele Squeo will conduct the production, directed by Jean-Romain Vesperini. The cast features Saioa Hernández as the ice-cold princess, Luciano Ganci as Calaf, Maria Teresa Leva as Liù, Gregory Bonfatti as Emperor Altoum, and Andrea Mastroni as Timur. Performances will run from June 18 to 29, 2027. Puccini’s "Turandot," with its exotic setting, iconic "Nessun Dorma" aria, and dramatic climax, is a perennial favorite, and this production promises a fittingly spectacular finale to the season.
A Harmonious Blend of Concerts and Special Events
Beyond its operatic productions, the Opéra Royal de Wallonie-Liège has curated a diverse and engaging concert program for the 2026-27 season, offering a complementary artistic experience for its patrons.
The season officially kicks off with an Opening Concert on August 22, 2026, conducted by Giampaolo Bisanti. This concert serves as a prelude to the operatic festivities, offering a taste of the musical excellence that will define the coming months.
In January 2027, the opera house will present "Lucile et L.ia," directed by Quentin Wasteels, from January 30 to February 2. Further details on this production were not immediately available, but its inclusion suggests a focus on specific artistic projects or perhaps a more intimate performance format.
A unique family-friendly event, "Opera in pyjamas," is scheduled for February 5, 2027. This initiative aims to introduce younger audiences to the world of opera in a relaxed and accessible setting, fostering a new generation of opera lovers.
February 2027 also highlights a significant performance of Ludwig van Beethoven’s Symphony No. 9. Conducted by Giampaolo Bisanti, this monumental work will feature soloists Serena Sáenz, Kate Lindsey, Dumitru Măceu, and Theodore Platt. The concert on February 12, 2027, promises a powerful rendition of one of classical music’s most revered symphonies, particularly its iconic choral finale.
In a move to nurture and showcase burgeoning conducting talent, the Opéra Royal de Wallonie-Liège will host the International Opera Conducting Competition on March 20, 2027. This event underscores the opera house’s commitment to the future of opera and its role in supporting young artists.
The season’s concert offerings will culminate with the Queen Elisabeth Competition Prize-Winners’ Concert on May 30, 2027, conducted by Sieva Borzak. This prestigious event celebrates the achievements of exceptionally talented young musicians, providing a platform for them to perform for a discerning audience.
Context and Significance of the 2026-27 Season
The Opéra Royal de Wallonie-Liège’s 2026-27 season announcement arrives at a time when cultural institutions worldwide are navigating evolving audience expectations and the ongoing impact of digital media. By presenting a robust and varied program, the opera house signals its intent to remain a vital cultural hub. The inclusion of both universally recognized operatic staples and more contemporary or niche works demonstrates a strategic approach to audience engagement, aiming to attract seasoned opera enthusiasts while also cultivating new patrons.
The programming choices suggest a deliberate effort to balance artistic risk with audience appeal. The inclusion of "Zombie Opera," for instance, points towards a willingness to experiment and engage with a younger demographic potentially less familiar with traditional opera. Conversely, the presentation of Wagner’s "Lohengrin" and Verdi’s "Macbeth" reaffirms the opera house’s commitment to the grand tradition and its capacity to stage these demanding works with excellence.
Furthermore, the significant presence of conductor Giampaolo Bisanti across multiple productions and the opening concert highlights a strong artistic relationship and a consistent vision for the season’s musical direction. His involvement in "Macbeth," "Lohengrin," the Opening Concert, and Beethoven’s Ninth Symphony suggests a unifying force throughout the programming.
The strategic scheduling of the performances, with carefully considered dates for each production, aims to maximize audience accessibility and minimize scheduling conflicts. The opera house’s commitment to presenting a full spectrum of operatic and orchestral music, from the dramatic heights of grand opera to the intimate charm of lighter works and the power of symphonic repertoire, positions it as a multifaceted cultural institution.
Anticipated Impact and Audience Reception
The Opéra Royal de Wallonie-Liège’s 2026-27 season is poised to generate considerable interest within the opera community and the broader cultural landscape of Belgium and Europe. The selection of renowned conductors, directors, and vocalists, coupled with the ambitious repertoire, suggests that the season will be a significant draw for both local audiences and international visitors.
The success of the season will likely hinge on the quality of the productions, the strength of the artistic teams, and the opera house’s ability to effectively market these offerings. Positive critical reception and strong audience attendance for productions like "Macbeth," "Lohengrin," and "Turandot" could further enhance the opera house’s reputation as a premier destination for operatic performance.
The inclusion of contemporary works and outreach programs like "Opera in pyjamas" also reflects a forward-looking approach, aiming to broaden the appeal of opera and ensure its continued relevance in the 21st century. The International Opera Conducting Competition and the Queen Elisabeth Competition Prize-Winners’ Concert further underscore the opera house’s role in fostering artistic development and celebrating musical talent.
In essence, the Opéra Royal de Wallonie-Liège’s 2026-27 season promises a rich tapestry of artistic experiences, a testament to the enduring power and evolving nature of opera and classical music. The season’s success will undoubtedly be measured not only by box office receipts but also by its contribution to the cultural vibrancy of Liège and its ability to inspire and engage audiences with the transformative power of music and drama.
