The prestigious 44th International Hans Gabor Belvedere Singing Competition has concluded its 2026 cycle, recognizing exceptional vocal talent from across the globe. The final stages of this renowned competition, a vital platform for emerging opera singers, unfolded in the picturesque coastal city of Jūrmala, Latvia, from May 31 to June 7, culminating in the announcement of its esteemed winners.
Park, Razavi, and Kim Secure Top Honors
At the apex of the competition, bass-baritone Sungmin Park of South Korea was awarded the coveted First Prize, accompanied by a substantial €10,000. Park’s commanding vocal prowess and artistic interpretation captivated the discerning jury, marking a significant milestone in his burgeoning career. Following closely, soprano Forooz Razavi from Iran secured the Second Prize, receiving €5,000. Her nuanced performances and clear vocal technique impressed the judges, positioning her as a significant emerging talent. The Third Prize, with a reward of €3,000, was presented to bass-baritone Son Jin Kim, also representing South Korea, for his compelling artistry.
A Stellar Jury of International Opera Luminaries
The caliber of the jury assembled for the 44th International Hans Gabor Belvedere Singing Competition underscores its international prestige. This year’s panel comprised an impressive roster of leading figures from the opera world, ensuring a rigorous and insightful evaluation of the contestants. The jury included:
- Rosemary Joshua: A celebrated soprano and highly respected educator, known for her extensive career on major international stages.
- Viviana Barrios: A distinguished opera director and administrator, bringing a wealth of experience in theatrical production and artist development.
- Rosetta Cucchi: An acclaimed opera director and set designer, recognized for her innovative and visually striking productions.
- Dorothea Hartmann: A prominent opera dramaturge and casting consultant, with deep knowledge of repertoire and vocal styles.
- Franziska M. Kaiser: A leading opera journalist and critic, offering a discerning perspective on artistic merit and public appeal.
- Thomas Marshall: A seasoned opera manager and producer, familiar with the demands of bringing opera to diverse audiences.
- Hein Mulders: The General Director of Dutch National Opera, a key figure in the European opera landscape, renowned for his strategic vision.
- Nicola Raab: An internationally recognized opera director, whose work has been lauded for its emotional depth and intellectual rigor.
- Christina Scheppelmann: The Artistic Director of Washington National Opera, a significant voice in shaping the programming and artistic direction of major opera houses.
- Christoph Seuferle: The Artistic Director of the Salzburg Festival, one of the world’s most prestigious cultural events, indicative of his keen eye for talent.
- Melissa Wegner: A respected opera administrator and casting director, contributing extensive experience in artist selection and career management.
The collective expertise of this jury provided a comprehensive assessment of the singers’ vocal technique, musicality, stage presence, and potential for future careers. Their diverse backgrounds, spanning performance, direction, administration, and journalism, ensured a well-rounded evaluation of each participant.
Beyond the Podium: A Spectrum of Recognition
In addition to the primary prizes, the International Hans Gabor Belvedere Singing Competition honors a range of talents through specialized awards, reflecting the multifaceted nature of a successful operatic career.

- The Media Prize, a testament to a singer’s ability to connect with a broader audience and garner positive press attention, was awarded to soprano Forooz Razavi. This recognition highlights her compelling artistry and media-friendly persona.
- The Audience Prize, voted for by the enthusiastic attendees, was presented to soprano Annija Kristiana Adamsone from Latvia. This award signifies her ability to resonate deeply with the public, a crucial element for any performer.
- The Jane Carty Memorial Prize, established in honor of a celebrated artist and educator, was bestowed upon baritone Zhengyu Li. This prize often signifies not only vocal excellence but also a commitment to artistic integrity and potential for mentorship.
- The Hans Gabor Prize, named after the competition’s visionary founder, was shared between baritone Shunya Goto from Japan and soprano Sofia Savenko from Ukraine. This prestigious award acknowledges singers who embody the spirit and artistic ideals championed by Gabor.
- The Prize of Friends of the Competition, an award often reflecting strong community support and appreciation for emerging artists, was granted to tenor Chen Li and soprano Jingyi Yu, both from China. This recognition underscores the dedication of the competition’s supporters to fostering new talent.
These supplementary awards provide invaluable exposure and encouragement to a wider array of participants, acknowledging their distinct strengths and contributions to the art form.
A Legacy of Discovery: The Belvedere Competition’s Enduring Impact
The International Hans Gabor Belvedere Singing Competition, founded in 1981, has established itself as a cornerstone in the international opera circuit for nurturing and launching the careers of thousands of singers. Its mission, to provide a global platform for young operatic artists to gain professional experience, visibility, and career opportunities, has been consistently fulfilled over its four decades of existence. The competition is renowned for its rigorous selection process, its extensive network of international opera houses and casting directors, and its commitment to identifying and supporting singers who possess not only exceptional vocal talent but also artistic maturity and potential for sustained careers.
Historically, the Belvedere Competition has been instrumental in the discovery of many of today’s leading operatic stars. Past laureates have gone on to grace the stages of La Scala, the Metropolitan Opera, the Royal Opera House Covent Garden, and countless other major opera houses worldwide. The competition’s unique format, which often includes masterclasses, networking opportunities with artistic directors, and even direct engagements, makes it a crucial stepping stone for singers transitioning from academic training to professional careers.
The choice of Jūrmala, Latvia, as the host city for the finals in 2026 signifies the competition’s commitment to exploring diverse cultural landscapes and fostering international collaboration. Latvia, with its rich musical heritage and burgeoning arts scene, provided an inspiring backdrop for the culmination of this global event. The meticulous organization and warm hospitality offered by the Latvian hosts contributed significantly to the success of the competition.
Looking Ahead: The 2027 Cycle on the Horizon
With the successful conclusion of the 44th edition, the International Hans Gabor Belvedere Singing Competition is already setting its sights on the future. Registration for the 2027 competition is slated to commence in January, inviting a new cohort of aspiring opera singers to present their talents on this esteemed international stage. The anticipation for the next cycle is already building, as artists prepare to hone their skills and vie for recognition in this unparalleled arena for vocal artistry.
The ongoing success of the Belvedere Competition is a testament to its enduring relevance in the classical music industry. In an era where new talent identification and development are more critical than ever, the competition continues to serve as an indispensable bridge between emerging artists and the professional opera world, ensuring the vitality and continued evolution of opera as an art form. The 2026 winners represent the latest chapter in this illustrious legacy, and their future contributions to the world of opera are eagerly anticipated.








