This week’s New Music Friday has delivered a potent mix of highly anticipated returns, sharp lyrical confrontations, and a parade of collaborations featuring some of the biggest names in hip-hop and R&B. The releases collectively signal a dynamic shift in the music landscape, with veteran artists reasserting their dominance and rising stars solidifying their positions. From long-awaited album rollouts to unexpected joint ventures, the latest slate of new music offers a compelling narrative of evolving careers and the enduring power of artistic expression within the urban music genres.
Isaiah Rashad Ends Five-Year Hiatus with "Same Sh!t"
One of the most significant events of the week is the long-awaited return of Top Dawg Entertainment (TDE) artist Isaiah Rashad. After a five-year hiatus that left fans eagerly anticipating his next move, Rashad has officially kicked off the rollout for his forthcoming third studio album, It’s Been Awful, slated for release on May 1. The lead single, "Same Sh!t," immediately captivated listeners with its "southern-fried trunk-rattler" sound, a signature style that Rashad has honed throughout his career.
Rashad’s previous works, particularly his critically acclaimed 2014 debut EP Cilvia Demo and his 2016 album The Sun’s Tirade, established him as a distinctive voice within TDE, known for his introspective lyrics, complex flows, and soulful, often melancholic production choices. His music frequently delves into themes of mental health, addiction, and personal struggles, resonating deeply with a dedicated fanbase. The extended break between The Sun’s Tirade and the announcement of It’s Been Awful fueled considerable speculation and concern among his followers. Rashad himself has been open about his battles with depression and substance abuse, which contributed to the delay in new music. This context makes "Same Sh!t" more than just a song; it’s a declaration of resilience and a testament to his artistic journey.
"Same Sh!t," produced by Don Oskar, Mario Luciano, and Nate Hobden, encapsulates a feeling of existential loop, akin to "Groundhog Day," where repetitive struggles are confronted head-on. The track’s sonic texture is rich, blending traditional Southern hip-hop elements with Rashad’s signature contemplative delivery. Its release has been met with widespread enthusiasm, with fans and critics alike praising its lyrical depth and the artist’s unmistakable presence. The single serves as a powerful indicator that Rashad is not only back but poised to deliver another impactful project, potentially exploring the evolution of his personal narrative and artistic growth during his time away from the spotlight. The anticipation for It’s Been Awful is now at an all-time high, with many expecting it to be one of the year’s most profound hip-hop releases.
DJ Khaled Unveils "One of Them" Featuring Future and Lil Baby
Another prominent figure making waves this New Music Friday is DJ Khaled, who has returned with "One of Them," the lead single from his long-delayed 14th studio album, Aalam of God. Known for his strategic collaborations and anthemic production, Khaled revives his tried-and-true formula by enlisting trap titans Future and Lil Baby for the track. This pairing is a classic Khaled move, bringing together two of contemporary hip-hop’s most bankable artists to create a high-energy, feature-heavy single designed for maximum impact on charts and radio.
DJ Khaled’s career is built on his ability to curate star-studded tracks and projects, acting more as an executive producer and maestro than a traditional rapper. His discography boasts numerous platinum singles and chart-topping albums, characterized by his signature ad-libs and his knack for assembling A-list talent. Albums like Major Key, Grateful, and Father of Asahd have consistently delivered mainstream success by leveraging the collective star power of his collaborators. The phrase "long-delayed" associated with Aalam of God suggests a meticulous crafting process or perhaps strategic timing considerations, typical for high-profile releases in today’s competitive music market.
"One of Them," produced by DJ Khaled himself alongside TM88, Rozay Knockin, Marko Lenz, and Concentracia, delivers the expected trap soundscape that both Future and Lil Baby excel in. Future, a pioneer of the melodic trap subgenre, brings his distinctive vocal delivery and street narratives, while Lil Baby, one of the most commercially successful artists of the past few years, adds his precise flows and introspective yet braggadocious lyricism. The collaboration aims to capture the essence of what makes these artists popular, fused with Khaled’s grand production style. The critical reception often debates whether such collaborations truly innovate or simply reiterate a successful formula, but their commercial appeal is undeniable. "One of Them" is positioned to be a major player on streaming platforms and urban radio, setting the stage for Aalam of God to continue Khaled’s impressive run of commercial triumphs.
Snoop Dogg Continues Prolific Streak with Ten ‘Til Midnight
Legendary West Coast icon Snoop Dogg has further extended his remarkably prolific streak this week with the release of his new album, Ten ‘Til Midnight. This project arrives hot on the heels of his acquisition of Death Row Records, a pivotal move that marked his return to ownership of his seminal early works and a significant moment for artist empowerment in the music industry. Ten ‘Til Midnight is not merely an album; it also accompanies a recently released movie of the same name, highlighting Snoop’s multifaceted career as a musician, actor, and entrepreneur.
Snoop Dogg’s career spans over three decades, marked by his smooth, laid-back delivery and his unmistakable persona. From his groundbreaking debut Doggystyle under Death Row to his ventures into reggae, gospel, and various business enterprises, Snoop has consistently reinvented himself while remaining a cultural touchstone. His recent acquisition of Death Row Records has been lauded as a powerful statement, allowing him to control his masters and shape the legacy of one of hip-hop’s most iconic labels. This period has seen him release new music at an accelerated pace, demonstrating a renewed creative energy.
For Ten ‘Til Midnight, Snoop Dogg reunites with a stellar lineup of familiar faces who have played crucial roles throughout his career. The album features collaborations with Pharrell Williams, a frequent partner from their work with The Neptunes and various solo projects; Swizz Beatz, a powerhouse producer and artist; Erick Sermon, a respected figure from EPMD; Rick Rock, a veteran West Coast producer; and Soopafly, a longtime associate from the Dogg Pound collective. Additional features include Nottz, October London, Peezy, Trindad James, and MyGuyMars, ensuring a diverse sonic palette. This reunion of seasoned collaborators underscores Snoop’s deep connections within the industry and his ability to draw upon a rich history of musical partnerships. The album’s connection to a film project further showcases Snoop’s ambition to create multimedia experiences, blending his musical artistry with visual storytelling, cementing his status as a true entertainment mogul.
Gucci Mane Unleashes "Crash Dummy" Diss Track
By far the most explosive release of the week comes from Atlanta trap pioneer Gucci Mane, who dropped "Crash Dummy," a defiant diss song aimed directly at Pooh Shiesty and Big30. This track is not just a lyrical sparring match; it is deeply rooted in significant legal and personal drama, adding a potent layer of intensity to the release. Pooh Shiesty and Big30 are currently facing federal charges for allegedly kidnapping and robbing the 1017 Records boss earlier this year, an event that has sent shockwaves through the hip-hop community.
Gucci Mane, known for his prolific output, street credibility, and his role in shaping modern trap music, has a long history of lyrical confrontations and street narratives embedded in his music. As the founder of 1017 Records, he has been instrumental in discovering and developing a new generation of talent, including Pooh Shiesty, who was once signed to his label. The alleged incident involving the kidnapping and robbery of Gucci Mane by his former proteges represents a profound betrayal and a high-stakes conflict that has spilled over from the streets into the public eye and now, into his music.
"Crash Dummy," produced by the legendary Zaytoven, a long-standing collaborator of Gucci Mane, features the signature ominous and hard-hitting trap sound that has defined much of Gucci’s discography. The production perfectly complements the track’s aggressive lyrical content, where Gucci Mane directly addresses the accusations and expresses his outrage and disappointment. The song serves as a powerful counter-narrative and a public declaration of war against those he alleges wronged him. Diss tracks like "Crash Dummy" often serve multiple purposes: they entertain fans, solidify an artist’s reputation, and can significantly impact the careers of those targeted. Given the severity of the alleged crimes and the public nature of the feud, "Crash Dummy" is more than just a song; it’s a critical moment in an ongoing saga, drawing immense attention and sparking considerable discussion within the hip-hop world about loyalty, betrayal, and the consequences of street conflicts.
Notable Collaborations and Projects Elsewhere
Beyond the major headlines, New Music Friday delivered a rich tapestry of other significant releases, showcasing unexpected collaborations and highly anticipated projects from a diverse array of artists.
Yasiin Bey’s "LikeZ" Freestyle: Legendary artist Yasiin Bey (formerly known as Mos Def) made a rare appearance with a freestyle titled "LikeZ." Delivered over the instrumental of Future, Metro Boomin, and Kendrick Lamar’s highly impactful track "Like That," the freestyle was initially shared via his Substack channel, with snippets quickly circulating online. Bey, celebrated for his profound lyricism and conscious hip-hop contributions, seldom releases new music, making this freestyle a notable event. His choice of the "Like That" beat is particularly significant, as the original track became a flashpoint in the highly publicized rap beef between Kendrick Lamar and Drake, adding another layer of cultural commentary to Bey’s unexpected delivery.
Star-Studded Projects:
- BossMan Dlow’s Chicken Talkin Bastard: The rising artist BossMan Dlow released his new project featuring an impressive roster of collaborators including G Herbo, DaBaby, Trey Songz, OJ Da Juiceman, YKNIECE, BossMan Pac, and Goldenboy Countup. This project aims to further establish Dlow’s presence in the scene, leveraging high-profile features to broaden his appeal and showcase his versatility across different styles.
- Joyner Lucas’s ADHD 2 Reloaded: Joyner Lucas dropped an expanded version of his acclaimed project, ADHD 2 Reloaded, boasting an even more extensive list of guest appearances. The album features heavyweights like Big Sean, Chris Brown, NBA YoungBoy, Kodak Black, Ty Dolla $ign, T-Pain, DaBaby, Fireboy DML, and Ava Max. Lucas is known for his intricate storytelling and lyrical prowess, and this reloaded version promises to deliver more of his signature style with added star power.
Unexpected Duets and High-Profile Link-ups:
- Doechii feat. Lady Gaga – "Runway": One of the most surprising collaborations arrived with Doechii and Lady Gaga teaming up for "Runway." The track is reportedly from The Devil Wears Prada 2 soundtrack, signifying a major moment for Doechii, who has been rapidly ascending in the music industry. Produced by an all-star team including Bruno Mars, Andrew Watt, Cirkut, and D’Mile, this collaboration bridges pop and hip-hop, offering a potentially genre-bending hit.
- Kehlani feat. Missy Elliott – "Back and Forth": R&B sensation Kehlani joined forces with hip-hop legend Missy Elliott for "Back and Forth." Produced by Khris Riddick-Tynes and The Stereotypes, this track brings together two generations of influential female artists, blending Kehlani’s smooth R&B vocals with Missy’s iconic flow and innovative production sensibility. The collaboration is poised to be a fan favorite and a testament to Missy’s enduring impact.
Additional Noteworthy Releases:
The week also saw a flurry of releases from a wide spectrum of artists, reinforcing the vibrant diversity of contemporary urban music:
- Lupe Fiasco – "Crash Out": The Chicago lyricist delivered a new single, demonstrating his continued commitment to intricate wordplay and thought-provoking themes.
- Fergie Baby feat. Cam’ron – "Harlem River Drive (Remix)": A remix that brings together new talent with a Harlem rap veteran, connecting different eras of New York hip-hop.
- Marco Plus – "Windows 98": An intriguing track produced by Marco Plus, Wulf Morpheus, and IK-EY, suggesting a blend of nostalgic and forward-thinking sounds.
- Buddy – Simmie Sims III: A comprehensive project from Buddy, featuring a strong lineup including Jay Rock, Kalan.FrFr, Guapdad 4000, KEY!, CUZZOS, Huey Briss, Kent Jamz, Indigo Boys, and Faucet, showcasing his versatile artistry.
- Nelly Furtado & Boi-1da – "Electric Circus" (Canada Soccer 2026 World Cup Anthem): An unexpected but powerful collaboration for a significant cultural event, produced by Boi-1da and ZALE, merging pop with impactful production.
- Lil Tjay – "First Time": A new track from the popular melodic rapper, produced by whywhiteshine and rigasbeats, continuing his narrative of street life and emotional vulnerability.
- Ovrkast. feat. Niontay – "Wata": An underground gem produced by Ovrkast., hinting at a more experimental and atmospheric sound.
- Skrilla feat. NBA YoungBoy – "Free 40": A collaboration that brings together emerging talent with one of the most streamed artists in the game, produced by Solo Wolf Beats UK.
- AZ feat. Mume Fresh – "So High": A track from the esteemed veteran AZ, produced by Bink!, maintaining his classic East Coast lyrical style.
- REASON feat. CUZZOS – "Humble’Em_PINK": TDE’s REASON delivers a new offering, showcasing his lyrical skill alongside CUZZOS.
- Blxst & Big Sad 1900 feat. Lori Perry – "Day After Day": A soulful collaboration that bridges R&B and street narratives.
- Your Old Droog & Tha God Fahim – "MESHUGENA": A raw, lyrical track produced by J-Es, appealing to fans of gritty, underground hip-hop.
- BunnaB – "We Back Outside": Produced by 10kjake and Sammy Haig, signaling a vibrant, energetic return or declaration.
- Sir Michael Rocks feat. Valee – "In Solace": A collaboration between two distinctive voices, produced by Geeohhs, promising a unique sonic experience.
- H3adband & DaBaby – "She Can Get It": A high-energy track featuring DaBaby, produced by SayyDuke, likely aimed at the clubs and airwaves.
- Tink – Fuck, Marry, Kill: A new project from Tink, featuring G Herbo, Tee Grizzley, Bryson Tiller, and Rob49, blending R&B with powerful hip-hop elements.
- DJ Muggs & T.F. – Don’t Call Me Lucky: A grimy, hard-hitting project featuring Ghostface Killah, Roc Marciano, Boldy James, Rome Streetz, Meyhem Lauren, OT The Real, and HeartBreak JC, catering to fans of classic, raw hip-hop.
- Serial Killers (Xzibit, B-Real & Demrick) – This Thing of Ours: A project from the veteran supergroup, featuring Chuck D and Scoop Deville, ensuring a powerful and politically charged experience.
- Blade Brown & Benny The Butcher – "Blue Marlin": A potent collaboration between UK and US street rap heavyweights.
- Jason Derulo feat. Kevin Gates – "Sexy For Me (Remix)": A remix that fuses pop and hip-hop, produced by Phil Greiss, designed for widespread appeal.
- Fetty P Franklin – "Zelle Money": A contemporary track reflecting modern financial themes in a street context.
- Deante’ Hitchcock – "Electric Revival": A new offering from the thoughtful lyricist, suggesting a blend of soulful sounds and insightful bars.
- El Costeau – "F U": A defiant track produced by twelveAM and Coco Costeau, showcasing a bold artistic statement.
This week’s New Music Friday has truly delivered on its promise, offering a diverse and impactful collection of releases that will undoubtedly shape discussions and playlists in the coming weeks. From the emotional depth of Isaiah Rashad’s return to the fiery intensity of Gucci Mane’s diss track, and the sheer star power of numerous collaborations, the music industry continues to demonstrate its dynamic and ever-evolving nature.







